Top songs, by user votes. Click the titles for lyrics and more song details; click the play widget to hear the song. And vote!
A happy a cappella song featuring heavy breathing, chest pounding, and lyrics from the back of a condiment package.
And a true story. Occurred and written down in spring of 1990, recorded by Andrew Rappaport in the “counting the moon” sessions in June 1992 in a few takes, while grinning madly. I never found out what “shinshu honzukuri miso shiro” means, and I hope I never will.
I improvised this while playing guitar for my daughter while she took her bath, one rainy Sunday in 2008, having just driven home from my wife’s cousin’s wedding in Vermont. I was just singing what was going on. Then it seemed worth remembering.
It took two years to get it recorded. The rain storm recording was from last night, after I spent most of the day finishing the solo guitar and bass tracks.
A hymn to the inspiration and guidance I feel from flowing water. Five-part a cappella harmony.
I wrote this in the fall of 1995, the morning after having seen the movie Beyond Rangoon. The climax of the movie comes as a group of Burmese refugees is trying to cross a river marking the Thai border. At the time, I was spending some time every day watching the creek near my house.
A love poem about a breeze that falls in love with the lake it touches, but is (apparently) unrequited.
She was an air sign, I’m water. It all felt symbolic. Also I was riding my bike a lot where I could see Cayuga Lake stretching out, and feeling the autumn winds. This recording took three completely separate tries over many months before it sounded good to me.
I wrote the first verse of this song in an online chat conversation. That may not seem very remarkable, but consider that it was 1987 at the time (~10,000 computers on the Internet, before either the World Wide Web or IRC). The conversation took place on mainframe computers at IBM, where I and my friend Betsy were (supposed to be) working.
The first line was in response to the question, “but why would you?” I don’t remember what preceded that.
A credo.
For Tom and Leela. Written and recorded this morning.
A happy ode to sitting still.
The title and chorus for this song came to me in early 1990 just after I finished up my previous album, “the flower grandchildren’s quiet transformation.” I knew at that point that it was going to be the title track for my next album, but it wasn’t until two years later, when I had most of the remaining songs for that album written, that I actually got down to writing the verses for this one. During those years I was diligently sitting quietly for a half hour each morning, often accompanied by my cat. It was a nice thing to do. read more...
A blessing: May the nature-of-things hold you in the palm of its hand.
My brother Matt was married in July of 1989, and I was his best man. I went on a road trip to Maine with my friend Betsy over the July 4th weekend, and wrote this as a wedding toast along the way. (I remember practicing it outside our tent in a campground.) I sang it at the reception the following week, then recorded it in a few takes after I got home.
A contemplative version of the old folk song about leaving, separation, and longing for return.
This song took me seven years to record. I did some tracks in 1993, of which only the harmony vocals have survived. I did some more work on it in about 1996, including recording the piano intro at a place where my friend Sharon was house-sitting. I redid all the lead vocals in October of 1999, then all the instruments in January 2000.
It’s a mysterious song, Shenandoah. I’m told it’s a sea chanty, yet it talks about inland rivers. Maybe it’s addressing the river, or a region, or a person. read more...